Araújo, José Sávio Oliveira deFalcão, Guilherme Peres2025-07-042025-07-042025-03-20FALCÃO, Guilherme Peres. Garatujas animalescas: processos criativos entre a linguagem do figurino e a estética do grotesco. Orientador: Dr. José Sávio Oliveira de Araújo. 2025. 90f. Dissertação (Mestrado em Artes Cênicas) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2025.https://repositorio.ufrn.br/handle/123456789/64133Based on animals considered gross or repulsive, I sought to investigate the possibilities of costume creation related to the aesthetics of the grotesque. For such, I developed the project “Garatujas Animalescas”: a series of experimentations on the field of costume, in which each week I made a composition inspired by a gross animal. During the creation of each piece, I recorded my process on a research log, where I kept track of the work done and wrote down the reflections about my artistic making. From the recorded experiences, I sought to understand the possibilities of creation in the field of theatre costume in relation to the aesthetics of the grotesque. I elaborate, in this dissertation, a reflection about the grotesque as an aesthetic category, its origins and its relation to themes that are pertinent to the theatrical art. I understand that not everything that comes up in the workshop is perfectly explained by the ideas of the theorists. I sought then to make a movement to understand when the ideas of the authors influenced me and guided me and when I deviated to a particular conception of the grotesque aesthetics, with no intention to settle this category in a definitive way.pt-BRAcesso AbertoTeatro - figurinoTeatro - grotescoTeatro - máscaras - mascaramentomasterThesisLINGUISTICA, LETRAS E ARTES::ARTES