Lyra, Luciana de Fátima Rocha Pereira deSilva, Janaina Gomes da2018-10-092018-10-092017-02-22SILVA, Janaina Gomes da. Cara da Mãe: uma jornada de criação pela via da Mitodologia em arte. 2017. 211f. Dissertação (Mestrado em Artes Cênicas) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2017.https://repositorio.ufrn.br/jspui/handle/123456789/25996Between the desire of tell the history of her ancestors and her mother through the dance and the theater, Janaína Gomes got pregnant of Lótus, her son. During the same time/space, two other artists - Ana Luiza Bione and Íris Campos, also pregnants, were invited by Janaina to join in the process and together they founded the theatrical group call “Coletivo Cênico Tenda Vermelha”, in the City of Recife- PE, in the year of 2012. The search for a self-writing based on the maternal experience of each artistcreator of this group made the encounter with the “Mythodology in art” a 'path of the creation process', a way of transport to the scene the experiences lived by the artists and also the contact with other group (collective) of mothers. The “Mythodology in art” was created by the PhD. Professor Luciana Lyra from her studies on “Anthropology of the Imaginary” by Gilbert Durand (2012) and the “Anthropology of experience” captained by Victor Turner (1986), it’s a complex of scenic creation that deals with personal forces that moves the actor in relation to himself and the sense of otherness, in constant feedback (LYRA, 2010). The present dissertation aims to unveil the investigative plot undertaken by Janaína Gomes and the “Coletivo Cênico Tenda Vermelha” through the ‘mythodology” path, which ended up in the performance “Cara da Mãe” (2015) directed by Lyra. Written in an autobiographical (JOSSO, 2009), and performatic (LYRA, 2010), this dissertation still takes the hero's journey (CAMPBELL, 2007).Acesso AbertoExperiências de vidaJornada do HeróiMitodologia em ArteCara da MãemasterThesisCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES CÊNICAS