Costa, Maria Helena Braga e Vaz daAraújo, Rummenigge Medeiros2014-12-172011-12-262014-12-172011-04-29ARAÚJO, Rummenigge Medeiros. Gerald Thomas e a (des)encenação do mundo: as paisagens visuais como grafia de intertextualidades, citações e hipertextos. 2011. 161 f. Dissertação (Mestrado em LINGUAGENS DA CENA E PEDAGOGIAS DA CENA) - Universidade Federal do Rio Grande do Norte, Natal, 2011.https://repositorio.ufrn.br/jspui/handle/123456789/12437This work is the result of a personal uneasy about the form and development taken by contemporaneous theater concerning its relationship with other media to create new hybrid organisms and organizing itself through new possibilities, connections, as well as with different levels of arrangements in the construction of the scene. The purpose of this research is to study the connections between the scene and the media within the context of the formation of hybrid organism wich is the key element. That stands for an aesthetic characteristic of the post-dramatic condition of contemporary theatre in Brazil. Thus, this work will investigate the concept of visual landscapes within the context of Gerald Thomas Sievers work in Brazil in the period of the first decade of twenty-first century having the play Rainha Mentira (2007) (Queen Liar, 2007) as the main empirical object of analysis, discussion and application of the framework developed in the textapplication/pdfAcesso AbertoPaisagens visuaisPós-dramáticoHibridismoGerald ThomasVisual landscapesPost-dramaticHybridsmGerald ThomasmasterThesisCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES