Rupp, BettinaVeríssimo, Caroline Araújo2022-08-022022-08-022022-07-11VERÍSSIMO, Caroline Araújo. Linhas de resistência: o bordado como expressão feminista na arte. 2022. 69 f. TCC (Graduação) - Curso de Artes Visuais, Departamento de Artes, Universidade Federal do Rio Grande do Norte, Natal, 2022. Cap. 5.https://repositorio.ufrn.br/handle/123456789/48954Embroidery is one of the artistic practices that is popularly associated with women, and thus, being a form of expression that has accompanied them for several decades, being an integral part of their history and advances. In this work we explore the historical context of this relationship and we will analyze how embroidery served - and still serves - as a means of survival, artistic and political platform in different ways, bringing examples of works by artists such as Rosana Palazyan, Miriam Schapiro, Zuzu Angel, Judy Chicago; and also from embroidery collectives such as Linhas de Resistência, Arpilleras, among others. We will use as a theoretical and historical foundation on embroidery the studies and publications of Rozsika Parker (2019), Ana Paula Simioni (2010), Juliana Padilha de Sousa (2019), among others. To address the study of gender and feminism, let us use the words of Silvia Federici (2012) and Simone de Beauvoir (1949).Attribution-NonCommercial-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nc-nd/3.0/br/bordado; arte; mulheres; feminismo; resistência.embroidery; art; women; feminism; resistance.bachelorThesis