Figueiredo, Laura Maria de FigueiredoSantos, Marilia Gabriela Marinho dos2018-04-242021-09-272018-04-242021-09-272018-02-15SANTOS, Marília Gabriela Marinho dos. Processos criativos da iluminação cênica: investigação sobre a elaboração de projeto de luz para teatro e dança. 2017. 73 f. Trabalho de Conclusão de Curso (Licenciatura em Teatro) - Departamento de Artes. Universidade Federal do Rio Grande do Norte, Natal, 2017.https://repositorio.ufrn.br/handle/123456789/38446This concluding monograph will describe some of the creative processes of stage lightning, from the fundamental elements and materials of this art, to develop a reflection upon possibilities of different paths for the collaboration of light in contexts of theatrical creation. Starting from two procedural possibilities, first as the creation of light after the play is ready, when the lightning designer develops his lightning project at the concluding part of the play, when the forms of dramaturgy, costumes, scenarios, make-up and scenes remarks are already settled by the performing executors of the play; and the second, at the origin of creation of the scene, when the light can act as a motivation for developing the creation, whether in theater, dance or performance. The methodology was appointed from qualified interviews with scenic artists, as well as the realization of laboratories with dance and theater students to investigate their relations with lightning from its presence in their choreographic experimental processes, seeking to comprehend its influence in the creating process from the dancers and trying new possibilities of dialogue with the light. The theoretical support of the elements of stage lightning manipulated for esthetic creation came from Max Keller (2010), Roberto Gill Camargo (2012), W. Oren Parker and R. Craig Wolf (1996), considering that the two processes represents two distinct ways of developing creation with stage lightning, whose forms of performance are equally fundamental for the production of what will become the final part of the play or the scene, pointing specific observations about its role in the construction of possibilities of meanings and sensorial motivation provided by the performance staged to the audience of presentations.openAccessIluminação cênicaProcessos criativosIluminadoresbachelorThesisCNPQ::LINGUISTICA, LETRAS E ARTES