Araújo, Humberto Hermenegildo deGalvão, Dácio Tavares Freitas2017-04-182017-04-182012-12-10GALVÃO, Dácio Tavares Freitas. O poeta Câmara Cascudo: um livro no inferno da biblioteca. 2012. 134f. Tese (Doutorado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2012.https://repositorio.ufrn.br/jspui/handle/123456789/22675Study on the poetic production of Luís da Câmara Cascudo, forming a corpus of nine poems about poetry and other texts, and translations of poems performed by him. To have into consideration the details of this poetic production in the context of modern Brazilian literature, we consider the denominators of the literary system mentioned by Candido (1975): a set of producers more or less aware of their role, the many different kinds of works linked by language or style - in the initial production of the work in question. Considering these denominators, it was possible to investigate the specifics of the analyzed texts, before the main time tendencies come to impose decisive forms of the canon, since the poet in question has embarked on other genres of literary and cultural creation. The starting point of this research were previous studies about the Brazilian modernism in literature, with local repercussions. Reading the poems established points of common interest between the poet and others who were historically located in the complex realities considered peripheral western culture, whose literary systems can also be studied from the point of view adopted. Such considerations have as a principle the reading of literary texts as a primary source of questions. In this sense, all chapters have, as their main concern, the analysis of the poems selected for the corpus. The first chapter analyzes poems in what is noticed the thematization of space and form a set of full texts of "Brasilidade", produced in the aesthetic perspective of modernity triggered at that time, in the aspect of formal experimentation. The second chapter conducts a reading of poems whose theme revolves around aspects of the colonization of Brazil, establishing a dialogue with the voices that built this story. In the third chapter, the research analyzes the perspective of the poet in relation to his contemporary, when faced with a modernity in which American culture has a strong influence. The last chapter analyzes Câmara Cascudo’s poetic exercices, be it in the production of poems, also as translation activity. It is the poet’s contribution to the Brazilian modernist movement, that we show the power of poetry as a pole of attraction of the intellectual perception of the world that produced one of the most important works of Brazilian culture.Acesso AbertoCâmara CascudoPoesiaModernidadeBrasilidadeModernodoctoralThesisCNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA