Programa de Pós-Graduação em História
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Master Thesis Atlas portátil da história latino-americana: cartografias de Nuestra América na trilogia Memória do Fogo(Universidade Federal do Rio Grande do Norte, 2022-12-16) Cavalcante, Bárbara Carolline Santos; Vargas Netto, Sebastião Leal Ferreira; https://orcid.org/0000-0003-0778-4031; http://lattes.cnpq.br/9840632250442779; https://orcid.org/0000-0001-5947-3775; http://lattes.cnpq.br/3568725122393143; Santos, Magno Francisco de Jesus; https://orcid.org/0000-0002-2218-7772; http://lattes.cnpq.br/9046069221784194; Oliveira, Ângela Meirelles deBased on theoretical perspectives that associate culture and politics and focusing on the author's political engagement, the objective of this research is to investigate the cartography of Latin America described in the trilogy Memory of Fire (1982-1986), by the Uruguayan writer Eduardo Galeano (1940-2015). The source of analysis for this research is the third and final book, Century of the Wind (1986), in order to uncover not only the literary and historical sense of the trilogy, but also the author's political goals and his motivations for writing. The methodological operation consisted of analyzing the short stories of the book and the author's reflections on the trilogy in articles and interviews, aiming to understand what Galeano meant by “giving voice to what the official history forgot” and “rescuing the kidnapped memory”, from Latin America, which are the key points of the trilogy.Master Thesis A caminho do Horto: a poética do espaço na obra de Auta de Souza (1893-1901)(Universidade Federal do Rio Grande do Norte, 2021-10-15) Dantas, Jussier; Albuquerque Júnior, Durval Muniz de; https://orcid.org/0000-0003-4153-9240; http://lattes.cnpq.br/7585947992338412; https://orcid.org/0000-0002-0483-8244; http://lattes.cnpq.br/6992946471077711; Oliveira, Margarida Maria Dias de; https://orcid.org/0000-0002-8542-4173; http://lattes.cnpq.br/5565266295414497; Queiroz, Teresinha de Jesus Mesquita deThe objective of this work is to study the spaces present in the life and work of poetess Auta de Souza, more precisely the poetic construction of these spaces. We organize these spaces into two categories: interior and exterior spaces. For this, we take as a basis the concept of space presented by the historian Michel de Certeau, building a dialogue with the reflections of the philosopher Gaston Bachelard. Thus, through the conception of an interior space, we seek to think Auta de Souza's work as a self-writing, in which the poetess narrates her life, her relationships with family and friends, her feelings, her pains and nostalgia. On the other hand, based on the notion of exterior space, we sought to research the displacements made by Auta de Souza due to her illness - tuberculosis -, as well as the places and stories of other people recorded by the poetess in her verses. Finally, we seek to think Auta de Souza as a nineteenth-century black intellectual from Rio Grande do Norte, based on the discussion of the spaces conquered by the poetess in the midst of an intellectual universe dominated by white men. We use as a privileged source her only book of poems, Horto, as well as some other biographical and academic works that present the poetess as an object of study.Master Thesis Entre o espaço público e o espaço privado: representações femininas veiculadas no jornal O Dia em Teresina/PI na década de 1970(Universidade Federal do Rio Grande do Norte, 2020-12-18) Sousa, Jenilda da Silva; Viana, Helder do Nascimento; http://lattes.cnpq.br/7276445057059197; http://lattes.cnpq.br/0318525841072475; Rocha, Olivia Candeia Lima; http://lattes.cnpq.br/4787931078683676; Oliveira, Margarida Maria Dias de; http://lattes.cnpq.br/5565266295414497The central purpose of this work is to reflect, through the analysis of the newspapers of Teresina, the construction of supposed roles and moral orders directed at women, in which they were subjected to an onslaught of restriction and demarcation of their living space, through bourgeois arguments and medical-sanitary speeches, a dynamic of moralization that resulted in certain stereotypes to female behaviors and confinements in certain worn and outdated attributions in the interior of the city of Teresina / PI in the 1970s. But, at the same time, we seek to discuss how the modernization process of this capital in the same period affected the female figure, of which the greater visibility in the public scenario appeared to be related to the conquest of rights, especially in relation to education and professionalization, the which were certainly great motivators for the many other female successes throughout the 20th century. Based mainly on the newspaper O Dia consulted in the Public Archive of Piauí, in addition to bibliography of local historians, with emphasis Jurandir Gonçalves Lima (2016), Bernardo Pereira de Sá Filho (2017), Elizangela Barbosa Cardoso (2010). In order to support the analyzes, it is also sought to elaborate a theoretical support in authors such as Michel Foucault (1984), Pierre Bourdieu (1998), Roger Chartier (1990), John Thompson (2011), Anthony Giddens (1993), Michelle Perrot (2007), Joan Scott (1995). In this way, contributing to increased knowledge changes and their dispositions, possibly conflicting and contrary, pointed out the way in which the society of the time reflected and recognized certain transformations experienced by women in public and private spaces.Master Thesis A cidade jurídica da República da Bruzundanga: a burocracia e o espaço em Lima Barreto (1900-1922)(Universidade Federal do Rio Grande do Norte, 2021-02-18) Costa, Thiago Venícius de Sousa; Albuquerque Júnior, Durval Muniz de; ; http://lattes.cnpq.br/7585947992338412; ; http://lattes.cnpq.br/3120096076562584; Sales Neto, Francisco Firmino; ; http://lattes.cnpq.br/3836760295812952; Sousa, Ana Cristina Meneses de; ; http://lattes.cnpq.br/8467477383770313This research proposes to discuss the fictional creations of Bruzundanga country in the work of Lima Barreto, which reflect the historical events of the city of Rio de Janeiro, in the pictures of Brazil’s First Republic. Above all, the legal dimension and the spatialities of this country are treated, the difficulties that, according to the writer, were faced to give carnality to the dreams of the orderly and republican city. From then on, the obstacles experienced by the statesmen who did little or almost nothing to remove the republican dreams of a country and an ideal city are shown. The object of this research is the constant references that Barreto made about the Law, that allow to create visibilities and sayings about the organization of the national bureaucratic space. The debates on the history of the body and the sensibilities guide the theoretical discussions of this work, and throughout the research, points of dialogue are built with David Le Breton, Georges Vigarello, Erving Goffman, Jean Jacques Courtine and Claudine Haroche. The sources mobilized to develop the discussion are articles, chronicles, short stories, novels, correspondences (active and passive), and Barreto's diaries. The cartographic method is used to read and study the sources, particularly the debate developed by Suely Rolnick in his sentimental Cartography. The time frame of this research began in 1900, based on the writing time of the first notes by Lima Barreto in his Intimate Diary, and we ended our investigation in 1922, the year that marks the writer’s death.Master Thesis A caminho do planetário: uma história de paisagens sonoras, poéticas e existenciais das psicodelias nordestinas (Recife 1972 - 1976)(2017-05-02) Lopes, Henrique Masera; Albuquerque Júnior, Durval Muniz de; ; http://lattes.cnpq.br/7585947992338412; ; http://lattes.cnpq.br/8954980171953573; Arrais, Raimundo Pereira Alencar; ; http://lattes.cnpq.br/8252775667149757; Branco, Edwar de Alencar Castelo; ; http://lattes.cnpq.br/7810700788181646Master Thesis O avesso da ruína: invenção e reinvenção de Pasárgada na obra de Manuel Bandeira (1917-1954)(2016-09-14) Cavalcanti, Felipe Alves Paulo; Albuquerque Júnior, Durval Muniz de; ; http://lattes.cnpq.br/7585947992338412; ; http://lattes.cnpq.br/6902064913510545; Arrais, Raimundo Pereira Alencar; ; http://lattes.cnpq.br/8252775667149757; Coelho, Eduardo dos Santos;In this work, we analyze the historical construction of a well-established image in the Brazilian imaginary: Pasárgada. Believing that images are made of the various investments of desire which incide upon them, that they are elaborated and reelaborated in the course of time, we aim to expose here the birth and the successive reformulations of Pasárgada in the work of Manuel Bandeira. Hence, we divided our investigation in four chapters: firstly, we approach the social decline of Manuel Bandeira’s family, marked by the transition of an idealized patriarchal regime and a new era of bourgeois and urban social relations in Brazil. In a second moment, we examine Bandeira’s first works, A Cinza das Horas and Carnaval, composed after the poet became ill in 1904, to expose some of the creative procedures that would persist in his later work, also being used in the creation of the poem “Vou-me Embora Pra Pasárgada”. In the third chapter, we investigate the development of new creative procedures and resources by Manuel Bandeira during the Brazilian “roaring 1920s”, acquired in the contact with three different artistic fronts: the bohemian scene, in Rio de Janeiro; the Brazilian modernist movement, in São Paulo; and the traditionalist regionalism, led by Gilberto Freyre in Recife, which provided Bandeira with the ideas and the poetical resources he would employ in the creation of the poetical space called “Pasárgada”. Lastly, in the fourth chapter, we discuss the “biographical” sense that Bandeira and other authors would associate to this poetical space after the publication of Libertinagem, in 1930, starting a series of biographical and autobiographical texts that culminate in the publishing of Manuel Bandeira’s autobiography, Itinerário de Pasárgada, in 1954.Master Thesis A OAB no processo de transformação da sociedade brasileira: a seccional potiguar como espaço de redemocratização (1979-1988)(Universidade Federal do Rio Grande do Norte, 2014-08-28) Silva, Rafael Oliveira da; Fraga, Maria da Conceição; ; http://lattes.cnpq.br/3775329772040020; ; http://lattes.cnpq.br/2499274956818710; Pereira, Henrique Alonso de Albuquerque Rodrigues; ; http://lattes.cnpq.br/9609541796507055; Vasconcelos, José Gerardo; ; http://lattes.cnpq.br/1590976796851445The period known as the Military Dictatorship (1964-1985) was a period of history marked by Brazil's control of state power by the Armed Forces together, this started with the Civil-Military Coup of April 1964. Was characterized as a time where political freedoms of expression and were placed in check by authoritarian and repressive measures taken by the military governments. The sectional potiguar of the Ordem dos Advogados do Brasil (OAB / RN), and the Federal Council of the institution, supported the establishment of this scam, but from the 1970s undertook measures that sought to corroborate the struggles around democracy the country, which has consolidated its image as a defender of democratic order. With the title inspired by the XII Meeting of OAB in October 1988, the research aims to analyze the participation of OAB / RN and its members within the Brazilian democratization. This analysis begins in 1979 with the participation of the entity in discussions Amnesty Policy to the promulgation of the 1988 Constitution, since the Constitution is the beginning of a full rule of law. We seek to understand the object as a space for democratization, combining the concepts of History, Memory and Politics. In the analyzes are guided theoretically by Jacques Le Goff, Pierre Nora, Maurice Halbwachs, Pierre Bourdieu and Hannah Arendt. Be rebuilt the period of democratic rule in the land potiguares birthing shares of OAB / RN, particularly in the following events: Amnesty Policy 1979, the mobilizations around the campaign of "Direct Now" and the 1988 Constitution We make use of legislation. minutes, papers and interviews built on Oral History.Master Thesis O (in)imaginável elefante mal-ajambrado: a questão de limites entre o Ceará e o Rio Grande do Norte e o exame da formação espacial e identitária norte-rio-grandense na Primeira República(Universidade Federal do Rio Grande do Norte, 2012-03-30) Fernandes, Saul Estevam; Peixoto, Renato Amado; ; http://lattes.cnpq.br/4329353374197075; ; http://lattes.cnpq.br/7872167673475486; Arrais, Raimundo Pereira de Alencar; ; http://lattes.cnpq.br/8252775667149757; Oliveira, Iranilson Buriti de; ; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4728002Z6This study s main goal is to analyze the way the limits between Ceará and Rio Grande do Norte states, the so called Grossos matter, has been associated to the norte-rio-grandense spacial and identity formation during the first republic period. Thus, a consistet number of sources: RN and CE old newspapers, as well as a república from Natal and Fortaleza and o mossoroense ; historical drafts from the historical and geographical institute associated and historical, gographical and anthropological institute of Ceará; the Ação Cível Originária de nº 6 from the supreme federal tribunal and many other cartographies. The documents haven t been hierarchized, neither accepted as proof effects, but understood as the base matter for this text composition by the deconstruction of the analyzed discusses. In order to do that the ablação or bricolagem method, without quotations marks or long quotations themselves, has been used. Along the three analyzed charpters: the two phases the litigious was found, since its beginning yet in the XVIII century until 1888 and its return within the republic proclamation, in the 1920 resolution; the development of the documental, historical and identity dispute between IHGA-CE and IHG-RN; and, at last, the political game existing between the Albuquerque Maranhão oligarchy , Manuel Pereira Reis and Rui Barbosa, explaining the intentions, silent and miths built along the time by these intellectual participationsMaster Thesis Viagem-memória de Nilo Pereira: do Ceará Mirim ao Recife e do Recife ao Ceará Mirim(Universidade Federal do Rio Grande do Norte, 2010-08-30) Morais, Helicarla Nyely Batista de; Arrais, Raimundo Pereira de Alencar; Rocha, Raimundo Nonato Araújo da; ; http://lattes.cnpq.br/2731237954780451; ; http://lattes.cnpq.br/8252775667149757; ; http://lattes.cnpq.br/5526109362132157; Luca, Tania Regina de; ; http://lattes.cnpq.br/4332049365505182; Macedo, Muirakytan Kennedy de; ; http://lattes.cnpq.br/6234766321259493Master Thesis " Mossoró não cabe num livro" : Luís da Câmara Cascudo e a produção historiográfica do espaço mossoroense(Universidade Federal do Rio Grande do Norte, 2011-04-01) Costa, Bruno Balbino Aires da; Albuquerque Júnior, Durval Muniz de; ; http://lattes.cnpq.br/7585947992338412; ; http://lattes.cnpq.br/6237253183382621; Oliveira, Margarida Maria Dias de; ; http://lattes.cnpq.br/5565266295414497; Matos, Maria Izilda Santos de; ; http://lattes.cnpq.br/3818957885297532A city is made not only to streets, sidewalks, buildings, bridges and viaducts. The city is also built by layers of sediment from the past that blend with layers of sediments present. The city's it's art, it's sociability is written. The aim of this study is to analyze how Mossoró historiographically the narrative is built by Luís da Câmara Cascudo. With this objective, we divide the work into three chapters. At first, we investigate the investment that the prefecture of the Mossoró city at the beginning of the forties, under the administration of Dix-sept Rosado, held for the construction of what would be the city's culture. A culture that was linked to the creation of a library, a museum, a university, the completion of several lectures on the themes of the city, and writing the history of Mossoró. The second chapter discusses the historical conditions of possibility that made Luís da Câmara Cascudo of the town historian. In the last chapter, we show how Mossoró was built by Cascudo from the specific analysis of the book Notas e Documentos para a história de Mossoró (1955). We discuss the conditions for its emergence, examining the interplay of interests that enabled its production