Entre camadas: processos de criação em procedimentos de instaurações cênicas

Abstract

This research aims to investigate the dynamics arising from the intertwining of artistic languages imbricated in intertextual creative processes. It is a qualitative approach that involves the paradoxes of contemporary artistic creation with its simultaneous events in a practical and theoretical way, intensively permeating the ambiguities and imbrications of art/life. The Scenic Instaurations created by CRUOR Contemporary Art in Artistic Residence at the Dr. João Machado Psychiatric Hospital are objects of study and analysis of creation in the field of Scenic Arts. I introduce the writing of this dissertation narrating sections of my life, which constitute me as an artist and researcher. In which I mention important productions of the Transdisciplinary Nucleus of Research in Scenic and Spectacular Arts/NACE and its group of scene practices: CRUOR Contemporary Art. I explain the concept of "Scenic Instauration" used as a creative methodological procedure to perform the scene practices of this research, a term created by Profa. Dr. Nara Salles in his doctoral thesis entitled "Senses: a scenic instauration - Creative processes from the poetics of Antonin Artaud" in the year 2004. In the first chapter I approach themes of art and the contemporary scene in a mental asylum. The second chapter reports on the creative process of the Scenic Instaurations: DESAMPARO, Birthday and WATER. I conclude the text proposing in the Aspects (in) Conclusive developments for this research when reflecting the resemantization of corporal writing by the vestimentary and skin processes.