Concertino Cheiro da Terra para clarineta e banda: estratégias para construção da interpretação para além dos desafios técnicos

Abstract

This work discusses the technique and interpretative questions regarding Concertino Cheiro da Terra for Clarinet and Band written by the composer Normando Carneiro (1949). The piece in study was written in the year of 2005, dedicated to the author of this research, and was composed during the composer's stay with the Banda Filarmônica 24 de Outubro in the city of Cruzeta/RN, in a period of compositional experimentation. The theoretical basis for the technical preparation process suggestion of the piece is rooted in the works of ARAÚJO (2016), SILVA (2021), CAMPIONE (2001), ALVES (2013), LIMA (2006) and BONADE (2022). The reflections on the interpretative aspects were conducted based on a comparison between two performances of the work made by the author of this research at different times (2005 and 2023), having as support the works of SLOBODA (1985), CARVALHO (2021), LABOISSIÈRE (2003) and ABDO (2000). The musical experiences of the performer and the composer, which are interchange between them, are also part of this study, as they contribute to the interpretative conception of the piece.