A experiência urbana como versos de composição em videodança

Abstract

This is a theoretical-practical research whose objective is to investigate the creative possibilities in the conception and production biases in video dance. The study explores through its laboratories the possibility of creation in dance through improvisation composition techniques linked to ways of perceiving, capturing and conceiving video dance as a process of idealizing an artistic work. For the methodological paths, references from dance improvisation, video dance creation and ways of living in the city were used. This articulation is methodologically supportedMainly from the perspective of Practice as Research and Artistic Practice as Research, various types of procedures were carried out for this: bibliographical research, field research and analysis of video dance composition performing an artistic, procedural and questioning path. The research allowed the performer to experience different forms of composition united movement and camera in one body, awakening different experiences for the conception of video dances.