Quatro sonetos em Língua Portuguesa: uma preparação para a interpretação da obra para canto e piano de Danilo Guanais

Abstract

This work presents the preparation for the interpretation of the Quatro Sonetos em Língua Portuguesa (2018) for Canto e Piano by Danilo Guanais (1965). To this end, it places the work in the context of the composer's production and his affinity with the Armorial Movement (Nóbrega, 2000). The literary study of the poems is supported by studies by Berardinelli (2020), Cabral; Guaranha (2015), Lima (2007), Flores (2014) and Deífilo (1983). The relationship between text and music guides the interpretation with the support of the study by Stein and Spillman (1996) and La Rue (1989). This discussion is presented in the light of the aesthetics of the Quatro Sonetos em Língua Portuguesa (2018).