Aurita: uma persona em desmontagem contínua

Abstract

This research refers to the process of continuous disassembly of the original work Bálsamo, created as an object of graduation research, considering the crossing that occurs before the personality that presents itself and that leads to subjectivity in performance. It discusses how the performance prints a specific transgression in the face of reality, changing the perspective of space and time. For this, the creation process is analyzed using the metaphor of the different states of swallowing a beet, in order to experience the persona Aurita and its infinite forms. The general objective of the work aims to investigate the transformation process that persona Aurita goes through, in an attempt to perceive the pains and affections that surround women, through adynamic of family narratives linked to violence and trauma. The research shows the persistence of attitudes that discriminate or reject the idea of equal rights between men and women, still prevalent in society. Scenic disassembly is presented as an engine for incessant creation, multiplying possibilities, transforming the artistic process into a kind of “establishment”, a creative state that remains in constant dismantling and expresses metamorphoses of the “persona”, which remains fluid, free and exposed to new possibilities of creation.