O objeto faltoso em Moema de Nelson Rodrigues: do personagem ao processo criativo

Abstract

This work aims to discuss some psychoanalyze concepts and their relationship with “absent object”, mainly Jacques Lacan (1995), as well as, reflect about Roland Barthes (2003) romance discuss related to the piece Senhora dos Afogados written by Nelson Rodrigues (2004). In this sense, it focus on the character Moema and her actions as a link to the theoreticalpractical propose. This research intends to explore the Brook (2011) idea of “empty space” to the scenic creation and concerns about the Lacan (1995) conception of “lack” related to the Nelson Rodrigues theatrical writings. It comprehend the actions of this main character in two stands: the loving subject while anguish filling of the absent object; and, the creative process while a scenic propose. This investigation consider the drive study, according to Freud (1972), related to the actuation way of the character, as well as concepts of appropriation (BEIGUI, 2006), alterity (BEZERRA, 2007), memory (BEZERRA, 2007; IZQUIERDO, 2010) and autobiography (BEZERRA, 2007; MONTEIRO, 2011).