Mazurkas Op. 50, 1 a 4 para piano de K. Szymanowski: um estudo analítico e interpretativo

Abstract

This article aims to develop a analysis and interpretation of four of the 20 Mazurkas Op. 50 of the Polish composer Karol Szymanowski (1882-1937). The Mazurkas Op. 50 were written during the nationalist period of the composer, which began with the publication of Slopiewnie song cycle Op. 46. The research is developed from the work of authors such as Kosakowski (1980) SAMSON (1990) Palmer (1983), CHYLINSKA (1993) Perkins (1996), WIGHTMAN (1999), CHAE (2010), Cesetti (2009), Liu (2012), Cadrin & DOWNES (2015). The work presents a biographical sketch of the composer offering an overview of his work, the peculiarities of the creative period based on the nationalism of his country and a study of the Mazurkas Op.50 No. 1, 2, 3 and 4 in the analytical perspective and interpretive. Article is justified because it is a focused approach to the implementation of the piano repertoire of the twentieth century still not widespread in Brazil, seeking to offer a theoretical and structural basis, helping to meet educational needs and expanding the possibilities in the repertoire of choice for students and teachers piano.