Mãe selvagem: tramas entre o Mito de Lilith e o Mito da Grande Mãe, numa cena feminista

Abstract

I start from the intersection of the Myth of Lilith and the Myth of the Great Mother, narratives that combined draw my personal mythology (Feinstein; Krippner, 1992). I f(r)iction (Lyra, 2011a, 2011b, 2014a, 2015, 2019, 2021) these mythologies in a scenic proposition, raising questions about how women have been historically. I propose reflections from the feminist movement, which has caused changes in the (re)existence of us women and has been actively present in the most diverse areas of society, including the arts. I fecund my research in Mythodology in Art (2011a, 2012, 2014a, 2014b, 2015), a path of artistic creation, coined by Professor Luciana Lyra, bringing out discoveries about myself in the relationship with the Artethnographed environment (Lyra, 2011a, 2014a, 2014b, 2015), based on my own experiences, in a unveiling of events that, during the process of scenic creation, we will been giving signify or resignifying. And so, as a result of the plot of the two myths, from the creative process is born the Wild Mother, an artistic, political and subversive parturition.