O homem “porno-gráfico”: identidade inacabada em Glauco Mattoso

Abstract

This research aims to analyze the production of Pedro José Ferreira da Silva (São Paulo, 1951) -Glauco Mattoso. Poet, columnist, essayist, translator, lyricist, he is part of a generation of writers who innovates literary production in Brazil. The analyzes focuses on unusual novel, unique in the genre, in the form of 200 sonnets "Raymundo Curupyra, the Caypora" as well as several author's poems, addressing the relationship of the work, its characters, plot, theme and formal style with the thesis of the fragmentation of Male Identity, taking as theoretical references Hall (2005), Baumam (1998) and Bernd (2011). The new Male configuration is also analysis of the object, starting from authors such as Badinter (1986), Hamburger (2007), Campos, 2012, Sontag (2008). Also it will address the issue of decolonization, as proposed by Fanon (1979) and Memmi (1997). From the deconstruction of stereotypes of men, the multi-faceting of machismo in our society, which Men's identity permeates the writing Mattoso? To what extent the theory of decolonization nears its poetic? Notions and concepts, forms and contents can be grasp of your subject? Cultural mechanisms that justify the subversion of the marginal poetry Glauco Mattoso? It intends to analyze the understanding of "macho image," the constitution of the narrative voice; recognize the cultural subversion mechanisms of marginal poetry in Mattoso; search that references to "male", "man" "social virility" permeate his poetic; highlight the cultural revolution posture triggered in the form of his poetry; check Glauco dialog with other themes related to Men's identity and to what extent his "porno-graphic design" is no longer appealing to present formal rigor, to the point of making the writer of the Brazilian marginal writing icons.