Encenadoras do Cariri em múltiplas funções: trajetos possíveis para a atuação polifônica no teatro de grupo

Abstract

In the master's research that gave rise to this dissertation, the authoress investigated the performance of the directress in multiple functions and the interferences that this form of action provokes in the others involved in the theatrical creation, what was identified as the formation of a polyphonic discourse. Polyphonic performance is understood as the possibility of artist developing his or her scenic object in a relation of appropriation of the other discourses coming from the artists that make up the theatrical creation. To discuss this issue, the authoress presents as a case study the artists who work in the region of Cariri, in the south of Ceará: Cecília Raiffer, who is the directress and playwright of Cia Engenharia Cênica; Carla Hemanuela, who is the stage directress and costume designer of the theater group Trupe dos Pensantes; and her own acting as a directress, enlightener and choreographer in the Coletivo Atuantes em Cena. Based on the research recorded here, the authoress considers that the researched directresses have been constructing their poetics in a dialogical and horizontal relation with the other envolved. In this sense, the research contributed to a study about the practice of theatrical creation in a way that is due to the bias of the exchange between the knowledge of the involved ones, which facilitates the practice of autonomy in the theatrical scene and fortifies the group work.