Cinco peças para violão de Amaro Siqueira: edições críticas a partir de manuscritos

Abstract

This research has as objective the realization of Critical Editions of five pieces for guitar by Amaro Carvalho de Siqueira: Devaneios nº 1, Confidências, Valsa de Esquina nº 1, Valsa de Esquina nº 2, Prelúdio nº 5 from the comparison between manuscripts, Autographs and phono-grams . The proposal consists of an introduction, with the motivations that led to this research followed by the biography of the composer, in which the first data are presented. Subsequently, the subsidies for the theoretical basis of the dissertation are developed, through which it was possible reflect on the directions to the questions concerning this musical edition, as well as the interpretative questions of the pieces. Reflections on handwritten sources and possible changes in the editions are discussed, discussing the probable reasons for the choices and delimiting the results in order to arrive at the critical editions of the composer’s works, also considering the information of existing fonogramase. Defined this methodology of analysis, in sequence, it was defined the edition model to be adopted for the formatting of the pieces in the scores, having Ricciardi (2015) with theoretical reference. The Critical Editing process of each piece, from the manuscripts, was reviewed and / or corrected, by Comments and / or Analysis and Partial Conclusions, in that order. Also, as a consequence of the process, in the Final Conclusions, some technicalinterpretative possibilities for the five songs analyzed aiming at amplifying the information regarding the performance of each one.