Abordagens de estilo e interpretação direcionadas à performance da suíte para violoncelo e piano de Aldemaro Romero

Abstract

This work approaches Aldemaro Romero's Suite for cello and piano (1976), and analyzes how the aspects of Venezuelan folk music influence the performance of the piece. The methodological procedure consists of a review of the literature on the Venezuelan genres existing in the Suite, and subsequent a reflection on how the knowledge of style affects choices about articulation, bowings and contextualization of the performance. Afterward, a performance and recording of the piece were performed based on the content appropriated and studied in the theoretical framework.