Processos coreográficos e repertórios corporais: relatos de experiência em dança de um corpo híbrido

Abstract

The work presented here deals with a discussion about the choreographic processes experienced by the author during the Degree in Dance and in other spaces of artistic experimentation in dance. The memorial aimed to report trajectories accruing from creative paths and discussed crossings of different dance techniques in viable configurations of a hybrid body. We have as a methodological path reports of experiences lived at Gaya Dança Contemporânea, at Cia. Urban Shouts and at Brazil Dance Camp, bringing into dialogue the reflections of the authors AGUIAR (2007), NUNES (2020), among others. When the body experiences multiple technical and aesthetic indications, it expands its repertoire of dance movements, acquires a level of mastery in its performance and increases body awareness, which blossoms making attention much more accurate, so to speak, the skin that is now porous gains a much more perceptible sensory mechanism. In this way, the interpreter lives a hybrid body, intersected by many references.