Da nota ao som: um memorial de formação na construção do pensamento composicional e processo criativo

Abstract

The present work proposes to describe and reflect on the discoveries and lessons learned in the formative path of the graduation course in composition, regarding the Creative Process in the generation of pre-compositional materials, as well as the formation and aesthetic construction of the composer's language in the Compositional Process. In this sense, moved by concerns that arose during classes, in the exercise of composing and producing works for the purposes proposed in the course, this research aims to discuss the construction of compositional thinking as we adopt concepts and solutions in our learning to the problems encountered When creating and composing. The formation of a compositional voice through the concept of music as sonic art, guiding the creative process to an emancipation of the sound generated from different sound sources in function of a creative-sound-perception that expresses the aesthetic construction by sonority. In addition, the results obtained tend to contribute to the study and understanding of creative and compositional work, especially if seen from the contemporary perspective, in which sounds and noise generate new meanings.