Carnificando em dança as histórias femininas que moram em mim: a dramaturgia da oralidade como caminho de criação

Abstract

In this course conclusion work, we seek to present how the accesses to the basements of the memories of Northeastern women were given, so that in the uncovering of narratives, collected via Listening Research; this being an action that took place in the field from the perspective of a methodology of coexistence, could document and, a posteriori, dance them when fleshed out in the procedures of creation of the Dramaturgy of Orality, guided by sensory stimuli. Such theoretical and practical research methodologies were coined by Nunes (2020d). A research was carried out in a context of otherness in which the author made use of investigative results, which are studies that were rubbed between themes that surround Memories, Bodies and Stories, raising interlocution tripods aiming to promote oral narratives. The research aims to “carnify the oral narratives of the Mulato in my body through dance as a form of learning that takes place through culture based on a methodology of coexistence, and the Research of the Listen.” Such movements can be thought from learning through culture, since narratives/stories are part of our lives and through them it is possible to create danced stories coined by orality dramaturgy as well as by sensitive listening from the field research.